New identity for Imperial War Museums

http://www.creativereview.co.uk/cr-blog/2011/october/hat-tricks-new-identity-for-imperial-war-museums

Well, I don't get it. I appreciate that the IWM logo has to be versatile across the many sorts of media that the museums deal with but this doesn't do it for me. The idea that the logo needs to be strong to withstand use reversed out on stock photos, videos as well as regular corporate material lends itself to this BBC style design but I think it is left wanting. The proportions of the key stone element are unkind and the step up between the words is just silly. (Low voice) Imperial, (high voice) War,  (Low voice) Museums.

Like the idea of bringing the plural Museums into play to reflect the nationwide aspect and also the great vibrant colours used but overall feels quite unbalanced and Eye Double Ewe Em isn't that much less of a mouthful than Imperial War Museums…

Corporate identity designs: portfolio

Corporate identity portfolio photographs

Alex Bibby did a great job photographing some of my key portfolio pieces illustrating some corporate identity design, scenario illustrations, literature design.

Creating creativity

Radio 4 show tonight explores whether scientific research can be creative.

http://www.bbc.co.uk/programmes/b00kvr9l

I was struck with Anne Miller speaking about her experience of creating products in a scientific arena. She said when she first started creating ideas and products she thought there must have been something wrong with her ideas as so many scientists were creating barriers to her theses.

Even when creating graphic design I come across barriers to great ideas. I'm not being precious here, I do realise that design is led by marketing and business and as such responds to criteria set out by the client. To a certain degree the 'blue sky' research spoken about in the radio show doesn't operate to criteria, but some clients just don't get the idea of inputting 'research' into designs. I've spoken to clients who have come to me wanting cutting edge contemporary designs and ideas but really they already have preconceived ideas about what they themselves desire. This is somewhat dangerous. In this sort of project we usually end up pandering to the client's personal desires. The client has confused business and marketing criteria with their own taste. Very often I'm asked to try it in orange "because the wife wants to see it like that". On the other hand these guys are paying for it but it must be designer's responsibility to check the client and make sure they realise that this deviates from the design specification laid out initially which responds accurately to the target marketing.

Shall we try it in pink?