Showing posts with label Logo usage. Show all posts
Showing posts with label Logo usage. Show all posts

Saturday, May 31, 2008

Slutbucks?

It's amazing what people can read into symbols isn't it? For example we all know that certain images are meant to be ambiguos. Take for example my wife and my mother-in-law. Actually please don't take them too far as Im rather attached to both of them...

Here we can see a cleverly designed visual pun.

On the other hand the new Starbucks logo is, well, just ok...I mean nothing special, but if you are a particular sort of Christian it seems that the following (on left) is offensive!



This article says that a US Christian group hs said the logo's character has her legs "spread like a prostitute... ".

Interestingly the founder of Starbucks has said of the logo (in general terms) "bare-breasted and Rubenesque; [it] was supposed to be as seductive as coffee itself".

It's true that the tails are spread but it would never occur to me that this mermaid's tails were sexually enticing me. What a load of old rubbish!

http://news.bbc.co.uk/1/hi/business/7427105.stm

Friday, April 11, 2008

Mystified by branding? It's all in the cup of tea

Are you mystified by branding? Fed up of people talking about how their logos talk about their "core values"? Don't know a logotype from a logomark? Well, to be honest you don't really need to know about these things to give a good impression of your company. It's all about the cup of tea...

A brand isn't your logo. The amount of times I've had clients call me in for meetings and let me know in a very matter of fact way that they'd like me to design a brand for them. I get excited. An enlightened client! But it soon transpires that what they want is a 'logo' redesign. Usually in isolation to all other communications in their arsenal. Well that's no brand I'm afraid. The brand can be found in the gut reaction your key stakeholders have about you and your company. It goes way beyond the logo. Sure the logo needs to toe the line and reflect your company's values but it's more than this. It's about getting all the visual language correct, right across the board. You get it right and you can get the brand to work for you- to achieve results for you as it reinforces this gut feel.

And yes, it starts with the cup of tea...

When I visit a client's company (or a suppliers) I'm greeted at the reception and perhaps offered a cup of tea. All of your questions about this company can be found in this cup of tea. But I'm not talking about tasseomancy!

If I were given a chipped mug, or a posh china tea cup and saucer, or an Elvis mug-I (or you, I'm guessing) would immediately start to make judgments about this company. Is it rich, poor, flippant, conservative, young and dynamic.... We may be WRONG about these assumptions, but we can't help making them. When we meet people for the first time we make judgements about what type of person they are based on their face, their voice, their accent, their clothes, their hair, their movements, their body language. All in an instance. And we usually stick with these ideas, rightly or wrongly! That's why first impressions last and why, if you work at it, you can help get some ideas quickly into the head of the client/key partner/supplier.

As humans we know about body language and in a similar way we are quite sensitive to the visual language used in communications design: which type is used, the colour, the tone of voice in literature. All of these things add up in our minds and create an impression of a company. We just can't help it!

Check out this company's website and compare it with this one and this one. Three very different approaches to the same problem: "flogging plumbing stuff" (I use this language deliberately-none of the companies did, right? Because using those particular words give an instant feel. This effect works similarly in a visual way too.) Each may be 'right' in its own way- it really depends on how they've done their homework and if each site gives the right type of client for them a nice warm fuzzy feeling. Try it with your friends' company sites...!

And this doesn't stop at the logo or corporate stationery, it should permeate the whole organisation: how the building is lit, the colour of the walls, the carpet, how the phone is answered, which hold music is used. These all build to make an impression and cerate an idea of the sort of company it is. And most importantly is the first impression: it's the way the receptionist greets you, how they treat you, if they are friendly or not, and of course, how that cuppa looks.

Got it?

Monday, July 09, 2007

Giving the logo space

You see it everywhere.



It's all around us but usually goes unnoticed.

And it's a disease - we need to take action today to stop it spreading!

Thankfully this disease is curable and I'm here to help you recognise symptoms of this damning condition and to help you STAMP IT OUT!



The disease is: Logo clear space impingement.



Mostly this is seen on PowerPoint presentations where business people have pinched a logo from a website and crammed it onto a heavily laden slide (the contents of which can't be digested anyway) and omitted to give the logo some breathing space. OK- not so critical, but check out this on the new Grand Arcade building in Cambridge:


















I mean..on a building! With an amazing brand like John Lewis!?





Give the logo some room dammit! Compare it to the John Lewis website here:

You'll see that I'm not talking about miles of space around the mark; just enough to comfortably recognise it as John Lewis and for it to 'feel' comfortable in its own space!

The reason that when I see this I get slightly uncomfortable is because the logo, which identifies the company and to a certain degree projects corporate values of John Lewis, feels cramped, squished in, about to fall off, unable to breath and at worst: an afterthought. Logos need this white space around them not only to give it a good sense of proportion but to enable a consistent feel across all media so we can easily recognise it time and time again without thinking. OK so John Lewis is a good, solid recognisable brand but if the white space is built into the logo usage visual clarity is maintained and reinforced.




Save the logo now!




Give it air and space to breathe properly....!











Thursday, September 14, 2006

Logo quiz time!

So you think you know your council logos huh?
http://news.bbc.co.uk/1/hi/magazine/5345222.stm

Based on this news story: "Hackney threatens Nike over logo "
http://news.bbc.co.uk/1/hi/england/london/4998956.stm

Interesting to see the way different councils approach the idea of branding. I'm sure some of them don't give a monkey's about it because it's an unnecessary expense. Others have made great efforts to portray the feeling and character of a place. Take for example these two logos and see how a slightly different approach can give a completely different message!

Although they are both using a modern approach to portray ideas about the town one seems a lot more traditional while the other is a more rooted City life (urbane?) design.


Welcome to the world of logo!
http://en.wikipedia.org/wiki/Logo